I'm starting off the year reading an incredible book on writing from Lisa Cron called Story Genius. I don't think I've ever been this excited about a book on the craft. While other ones have inspired me, Cron has opened my eyes and changed how I write for the better.
It's difficult to find a book on writing for pantsers. Most are for plotters, and many insist that pantsers will never be able to write good stories. This raises my hackles. Comments like that will make me put a book down and never pick it up again. One of my idols, Stephen King, is a pantser. A fact I delightfully discovered only recently.
When I write, I have the protagonist already forming in my mind. I know where the story starts and where I want it to go. How it gets there is always a surprise, but I love it. I write organically. The opening event happens, and it all flows from there. Action, reaction. Consequence, reaction. Action, reaction. Consequence, reaction. The story drives itself for me that way.
So how does Cron's book help me when I just let it flow like that? She bases her book on neuroscience. Of course that interested me in itself, but when she explained stories with science, it clicked with me. It's not beautiful prose or a clever plot that makes for a good story (though those things are the cherries on top), it's how the story connects to the readers emotionally. More particularly, how the protagonist connects to the readers emotionally.
There are no detailed character bios or elaborate plotting to be done in Cron's exercises. She helps bring you to the core of your story with the essential elements that make up your protagonist.
I did this with my current trilogy and totally blew myself away. I discovered what drives my story. It was the core of my story all along! No wonder my protagonist gives me trouble. She was fighting it and I was fighting it. But now I know how to write it so it's a specific internal conflict instead of something I knew was there, but couldn't properly get on the screen.
I want to rattle on and on, but you'll just have to read the book for yourself. I highly recommend it.
Have you read any of Cron's books? Is there a book on writing that has affected you this way?
P.S. I'm so excited that in February, Lisa Cron will be writing a short article for the IWSG newsletter. If you haven't signed up for the newsletter, click here. You don't want to miss it!
And don't forget that next week is the #IWSGPit. Polish up your manuscript pitches! It's a great opportunity and free for all writers. I'll see you then!
It's difficult to find a book on writing for pantsers. Most are for plotters, and many insist that pantsers will never be able to write good stories. This raises my hackles. Comments like that will make me put a book down and never pick it up again. One of my idols, Stephen King, is a pantser. A fact I delightfully discovered only recently.
When I write, I have the protagonist already forming in my mind. I know where the story starts and where I want it to go. How it gets there is always a surprise, but I love it. I write organically. The opening event happens, and it all flows from there. Action, reaction. Consequence, reaction. Action, reaction. Consequence, reaction. The story drives itself for me that way.
So how does Cron's book help me when I just let it flow like that? She bases her book on neuroscience. Of course that interested me in itself, but when she explained stories with science, it clicked with me. It's not beautiful prose or a clever plot that makes for a good story (though those things are the cherries on top), it's how the story connects to the readers emotionally. More particularly, how the protagonist connects to the readers emotionally.
There are no detailed character bios or elaborate plotting to be done in Cron's exercises. She helps bring you to the core of your story with the essential elements that make up your protagonist.
I did this with my current trilogy and totally blew myself away. I discovered what drives my story. It was the core of my story all along! No wonder my protagonist gives me trouble. She was fighting it and I was fighting it. But now I know how to write it so it's a specific internal conflict instead of something I knew was there, but couldn't properly get on the screen.
I want to rattle on and on, but you'll just have to read the book for yourself. I highly recommend it.
Have you read any of Cron's books? Is there a book on writing that has affected you this way?
P.S. I'm so excited that in February, Lisa Cron will be writing a short article for the IWSG newsletter. If you haven't signed up for the newsletter, click here. You don't want to miss it!
And don't forget that next week is the #IWSGPit. Polish up your manuscript pitches! It's a great opportunity and free for all writers. I'll see you then!