Holiday Break along with a guest post!

It's almost time for my holiday break. I plan to do plenty of sleeping and reading for the rest of the month.

Today I'm visiting the wonderful Susan Gourley's blog. Please pop on over and say hello. I'll be sharing a few tips of how to get in some writing and reading over the holidays.

I've been busy writing a holiday story for my pen name these past three weeks, and it grew from a short story into a short novel. Yikes! I need to keep writing and editing to get it out in time.

Please don't forget the Untethered Realms Yuletide Spectacular. It goes through to January 3rd. Six free books and a great giveaway!

And if you're into a different sort of holiday story, I have a sci-fi flash fiction piece coming out on the 23rd in Flash Fiction Magazine. It's called "The Holiday" (original, I know!).

May you all have a happy holiday season!

Word Witch Wednesday - getting back into the writing groove

School's back in, and the house is quiet. Time to start writing!

... soon. After I finish painting the kitchen cupboards. Boy, that floor needs to be washed. Perhaps I should attend to my neglected garden. Oh, look! A new Deadpool musical on YouTube. I bet I don't need to tell you that's NSFW!

It's tough getting back into the writing groove. I had a busy summer away from the computer, and just putting my butt in the chair isn't working. So how do I reignite my fire?

After spending way too much time reading articles about this, here are five of my favorite suggestions:

1. Rid yourself of the guilt. I have so much I need to do, and I'm immensely behind schedule. But it is a schedule I set for myself. There is no deadline I have to meet except the now clearly unreasonable ones in my head. It's okay. Time to reset my goals. Time to be kinder to myself.

2. Clear out all the things that are drawing you away from writing. Do those chores, turn off the TV and internet, make sure you have a chunk of time when no one is interrupting you.

3. Read, read, and read some more. Stories inspire me. Reading always gets my juices flowing. Even if it isn't about my book particularly, I'll happily travel to other worlds and play with the possibilities there. Those can then help lead to story ideas for my own work.

4. If you can't get into the story via your word processor, get into it in another way. Look up inspirational images on Pinterest, research your protagonist's job, browse possible book covers, or do silly character interviews. Get that fire burning with other types of fuel.

5. Writing is a habit, and it will take some time to get back into it again. Last school year, I had a schedule. I was ready to write by the time the afternoon rolled around because my mind and body knew that's when it happened. Even if I don't write the new story, just sitting down at that particular time and working on old stories or writing blog posts about getting back into the groove *winkwink* will help.

How do you get back into the writing groove?

Word Witch Wednesday - brewing a book series

Deciding to write a series or a standalone book is tough. It's important to take your story idea and weigh the options. I'm going to assume you've already sat back and figured that out, and you want to write a series.

Book series are popular. Readers love to follow their favorite characters through all sorts of adventures. But there's nothing more disappointing than picking up the new book of one of your favorite series and finding the story fell flat. I've abandoned many series because the story faltered and the characters didn't grow.

Here are five tips to help you build a successful book series:

1) Make certain your story idea has enough juice to last through the whole series. If the plot flops after the second or third book, you're going to lose readers. Each book must have a solid story that can stand on its own and interconnect with the previous books. It helps if you're a plotter to plan the series. As a pantser, even I made certain when I was writing TOTEM, I had a solid story idea for each book before I started. Sure, those ideas were as simple as "they will search for the ____ totem in this book," but each one had a purpose in the overall plot.

2) Keep a story bible. Plotters usually have this started before they begin to write the first chapter. I keep notes as I go along. I mark down the basic plot points in each chapter and record character traits. It is also wise if you go back and read the previous books in the series before starting on the next one.

3) Don't limit your fictional world. You want to have room for growth. There will be rules and borders, of course, but a book series needs space to stretch and expand. Your characters might be trapped in a walled city, but there is a whole unknown world out there for you to continue on in if you want to do so.

4) Characters must grow. Characterization is vital to a series. Readers want the heroes they adore and the villains they loathe, but it wouldn't be realistic if the characters stayed the same throughout each book. Time has passed. A person will not be the same today as they were last year or even last month. Some internal issues we struggle with for years, but there will be little changes in attitude, a bit of wisdom gained, and possibly a fashion makeover.

5) Be able to let go. If the overall story arc comes to an end or if your individual story ideas disappear, know when to call it quits. I hate it when I read a series and it's the same plot over and over. "This love triangle has been going on for twenty books. Have the protagonist choose one already!" Sometimes it's tough to let go of characters and worlds we've come to love, but you'll fall in love again. That's one of the wonderful things about being a writer.

Have you written a book series? Do you plan to? What tips do you have to share?

Word Witch Wednesday - hooray for Story Genius

I'm starting off the year reading an incredible book on writing from Lisa Cron called Story Genius. I don't think I've ever been this excited about a book on the craft. While other ones have inspired me, Cron has opened my eyes and changed how I write for the better.

It's difficult to find a book on writing for pantsers. Most are for plotters, and many insist that pantsers will never be able to write good stories. This raises my hackles. Comments like that will make me put a book down and never pick it up again. One of my idols, Stephen King, is a pantser. A fact I delightfully discovered only recently.

When I write, I have the protagonist already forming in my mind. I know where the story starts and where I want it to go. How it gets there is always a surprise, but I love it. I write organically. The opening event happens, and it all flows from there. Action, reaction. Consequence, reaction. Action, reaction. Consequence, reaction. The story drives itself for me that way.

So how does Cron's book help me when I just let it flow like that? She bases her book on neuroscience. Of course that interested me in itself, but when she explained stories with science, it clicked with me. It's not beautiful prose or a clever plot that makes for a good story (though those things are the cherries on top), it's how the story connects to the readers emotionally. More particularly, how the protagonist connects to the readers emotionally.

There are no detailed character bios or elaborate plotting to be done in Cron's exercises. She helps bring you to the core of your story with the essential elements that make up your protagonist.

I did this with my current trilogy and totally blew myself away. I discovered what drives my story. It was the core of my story all along! No wonder my protagonist gives me trouble. She was fighting it and I was fighting it. But now I know how to write it so it's a specific internal conflict instead of something I knew was there, but couldn't properly get on the screen.

I want to rattle on and on, but you'll just have to read the book for yourself. I highly recommend it.

Have you read any of Cron's books? Is there a book on writing that has affected you this way?

P.S. I'm so excited that in February, Lisa Cron will be writing a short article for the IWSG newsletter. If you haven't signed up for the newsletter, click here. You don't want to miss it!

And don't forget that next week is the #IWSGPit. Polish up your manuscript pitches! It's a great opportunity and free for all writers. I'll see you then!

What makes a good flash fiction piece? - guest post by Juneta Key

I'm excited to be swapping posts with the awesome Juneta Key today. Please enjoy her excellent article about flash fiction, and hop on over to her blog to get a peek into my home and find out the little everyday things which helped inspire the Totem series.

 

Thank you so much, Christine, for inviting me to guest post on your blog today and post swap. You ask me.

What makes a good flash fiction piece?

To answer that question, we need to understand what flash fiction is about. It is a short story under 1000 words, generally right at or around 500 words. Flash fiction is the length of one short scene with emotional IMPACT using shocks, twists, irony, OR something deeply meaningful to end it.

Anything less than 500 that is Micro Fiction, which has several sub-categories, or anything more than 1000 words which would still be considered a short story, not flash fiction. The purpose of micro fiction is to express interesting ideas or tell a brief story in as few words as possible differing it from flash which depicts a scene or a “moment or realization” in the life of your character.

• Flash fiction should possess all the qualities of story and scenes with the presentation of character with one problem. (hook & inciting incident)
• At least 1 or 2 possibly conflicts to carry the story forward. (action) (brevity)
• And a brief ending, creating an overall satisfying capsule of the story. The short word limit only has room to capture a meaningful or powerful moment in the character’s life.

Flash fiction should give the reader some satisfaction with its ending. The more complete and self-contained the story the better.

• I try to create a “semblance” of the 3-arc structure when I write flash fiction keeping it loose with word limits.
• One or two descriptive words for character e.g. nervous typist, sarcastic officer, disillusion magician
• One or two descriptive words for setting, e.g. windy sidewalk = city, snowy incline = anything from hill to Everest or ski resort, sweltering heat = anything from the beach to desert, rolling hills = countryside/farmland. The setting can be woven into the conflict with descriptive words. (middle)

The key is to weave in descriptive and action words to create emotion, forward action, intriguing and interesting conclusions. Flash is so brief the most you hope for is to evoke emotion in the reader or leave questions and possibilities.

• Remember conflict= action taken, has consequence for the character: It is not just a sequence of unrelated events.

Make the character responsible for his choices and actions.

• Action = reaction BUT conflict has real consequence for the character to deal with or accept, a lot of times with compounding effects.

I prefer flash fiction that engages me, evocates reaction, thought, curiosity, irony, and/or the shock factor. 

The shock factor must be meaningful, or I won’t read that author again.  It must intrigue or raise a question, not make me feel bad or disappointed.  It must be consistent with the tone of the story.

StorytimeBlog Hop flash fiction by several different authors in 2015 & 2016

Dragon Smoke & Wind by Karen Lynn (This one is one of my favorite from July 2016 blog hop.

 

Wicked Wednesday - writing yourself into a corner

You're writing a fantastic story. The characters are complex, the setting unique, and the plot intense. You have that incredible feeling of creating something amazing.

Finally comes the big climax. There's a huge battle. Your heroes have been surrounded by a crafty villain and her minions with no way out. You're on the edge of your seat. And it is at this point you realize you have no idea how your heroes are going to get out of this.

Oh crap.

You might want to bash your head on the keyboard or cry that you'll have to start all over. There isn't enough chocolate in the world for that.

But wait! This is the best thing that can happen to you.

I know it's hard to believe, but writing yourself into a corner will bring out the creative best in you. You must think outside the box to help your heroes save themselves. But, you ask, if you have no ideas, how do you do this?

This happened to me just recently, and it has happened to me before. Every time, I have a moment of panic. Yet do you know what saves me? The story itself.

I go back and read it from the beginning. The answer to save the heroes is always there. The story knows even if the author doesn't right away. Yes, it's as simple as that. At least for this pantser!

Have you ever written yourself into a corner? How do you get out of it?

Friday Five for October 9, 2015

1. If you missed it, I was featured earlier this week at Yolanda Renee's blog with some Halloween fun. Find out what creepy super power I'd want and why Halloween is my favorite holiday. Also, check out Yolanda's blog all this month for scary interviews with other authors. We all were given the same start for a story. Read all the different ways we finished it!

2. My mom's been visiting this week. We've had lots of fun. It's going to take at least a week for me to catch up on my online stuff!

3. I ate way too much.

4. I had a breakthrough for settings in a new story. Yes!

5. Maybe some pumpkin patch fun this weekend. And a nap. I really just need a nap.

Have a great weekend!

Effigy Blog Tour - guest post by M.J. Fifield

Joss Is Boss

This post will contain spoilers.

There's a little known fact about me that I am completely and irrevocably obsessed with writer/director/demi-god Joss Whedon.

I first became aware of His Glorious Magnificence back in 1998 when I tuned in to my very first episode of Buffy The Vampire Slayer. It was the season three premiere, Anne. That's the one where Buffy has run away from Sunnydale and is waiting tables in Los Angeles. There's a scene toward the end of the episode (written and directed by Joss Whedon) where Buffy battling a seemingly endless onslaught of goons pauses on a platform, weapon in hand, and glances behind her to her left. (It's the shot that closes out the opening credits through season six.) It looked so bad ass that I was immediately in love with both the show and its creator.

I haven't looked back since.

I love what Joss does with character. There's always a lot of talk about the strong, female characters he creates Buffy, Willow, Echo, Fred, Kaylee, River, Zoe, just to name a few and all of it is well-deserved, but the bottom line is that he creates amazing characters period, regardless of gender. We love Mal and Giles, Xander, Topher and the man they call Jayne. Dr. Horrible's Sing Along Blog saw audiences rooting for a character named Dr. Horrible whose ambition is to join the Evil League of Evil.

I also adore what Joss does with story. I love how in a 43-minute span, he can make you laugh and then cry all the tears in all the world. He will go for the jugular, and you still will beg him to hurt you just a little bit more (Name! That! Reference!). 

Look at "A Hole In The World," a fifth season episode of Angel also written and directed by Joss. The episode starts off with a funny debate over who would win in a fight - astronauts or cavemen - that continues to pop up at random moments during the episode, but before you know it, Joss has ripped out your heart and stomped on it right in front of you when he kills Winifred 'Fred' Burkle. The last line of the debate? A dying Fred saying, "Cavemen win. Of course the cavemen win."

There's also Wash and Book from Firefly, Phil Coulson in The Avengers, and Penny from Dr. Horrible's Sing Along Blog. People make a lot of jokes about Joss killing off characters, but what it all comes down to is that Joss will always do what needs to be done for the best interests of the story, and that is exactly the philosophy I want to employ in my writing.

Thank you all for stopping by, and thank you, Christine, for hosting me today!

The survival of a once-mighty kingdom rests in the hands of its young queen, Haleine Coile?in, as it slowly succumbs to an ancient evil fueled by her husband's cruelty.

A sadistic man with a talent for torture and a taste for murder, he is determined to burn the land and all souls within. Haleine is determined to save her kindgom and, after a chance encounter, joins forces with the leader of the people's rebellion. She gives him her support, soon followed by her heart.

Loving him is inadvertent but becomes as natural and necessary as breathing. She lies and steals on his behalf, doing anything she can to further their cause. She compromises beliefs held all her life, for what life will exist if evil prevails?

Her journey leads to a deceiving world of magic, monsters, and gods she never believed existed outside of myth. The deeper she goes, the more her soul is stripped away, but she continues on, desperate to see her quest complete. If she can bring her husband to ruin and save her people, any sacrifice is worth the price?even if it means her life.

Available at Amazon~Amazon UK~CreateSpace

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About the Author:

Armed with a lasting love of chocolate, purple pens, and medieval weaponry, M.J. Fifield is nothing if not a uniquely supplied insomniac. When she isn't writing, she's on the hunt for oversizedbaked goods or shiny new daggers. M.J. lives with a variety of furry creatures - mostly pets - in New Hampshire. Visit her online at mjfifield.com.

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Dark and cloudy Monday

It's dark and cloudy outside. A perfect day for writing. Now if only my son decides that a dark and cloudy day is good for a long nap.

S.C.I.F.I. (my writer's group) met on Saturday afternoon. Only three of us attended and we critiqued each other's stories. I learn so much about critiquing from them. I submitted a short noir piece for them to read. I had edited it to the best of my abilities. I couldn't think of anything that needed to be changed. Yet, wow. The things I didn't even think about. The main one being the physical choreography of the climax. Physically, it doesn't work. In my head, I had imagined one thing. On paper, it's impossible. It needs to be rewritten. Otherwise, they really liked the story.

I like to listen to them critique other stories too. I realized that I'm willing to suspend my belief of certain technical aspects for the sake of the overall story. Seeing the overall story has always been my strength in critiquing, but these folks are about details. I need to learn to critique as well on the micro level as I do on the macro one. There will be readers out there like me who will focus on the overall story, but there are readers who love the little details. They will be turned off if something isn't right. I know you can't please everyone, but I'm eager learn how to improve the quality of my writing to please some of the nitpickers.

I saw the new Harry Potter film on Friday night. Oh yeah. It's an awesome ending to the series. And no, sorry, I didn't cry.