Clues and Red Herrings - Guest Post by Carol Kilgore

I'm very excited to have the marvelous Carol Kilgore on my blog today. I love her books, and I'm doing a happy dance that she's going to talk about how she writes such brilliant mysteries. Take it away, Carol!

Thanks so much for hosting me!

When I asked Christine what she’d like for me to write, she gave me a short list of possibilities but indicated she would most like to see a post about how I write the mystery aspect of my novels, especially whether I plot every detail or if I go back and add clues and red herrings.

What I do is the process that works best with the way my brain functions. I’ve tried to be a total pantser, and I’ve tried to plot all the details. What happens is I get stuck, or something different happens from what I’ve planned.

So what I do is a mishmash. Before I ever begin to write, I learn as much as possible about the beginning, the major plot points, and the ending. I also find out as much as possible about my characters without actually putting them together and writing their story.

When I write, I use what I know and let their story develop around the framework. The deeper I get into the story, the more I learn about the characters, and the more they learn about each other.

The more I know about the characters and the story, the better I can mislead the reader.

So on each successive pass, I add more details. As an example, in SOLOMON’S COMPASS, one of the characters wears a bracelet. Never takes it off. It’s just about the only positive means to identify him. The bracelet was an extremely late addition.

When I leave an obvious clue, I try to bury it so it doesn’t stand out. Many of my clues are subtle--too subtle sometimes, according to my editor. But together we fix that. I hope! One of my favorite movies is “The Sixth Sense.” All the clues are there, but most viewers don’t put them together until near the end of the movie.

That’s my goal when I write--have the clues come together and make sense near the end of the book.

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By the end of a long evening working as a special set of eyes for the presidential security detail, all Kat Marengo wants is to kick off her shoes and stash two not-really-stolen rings in a secure spot. Plus, maybe sleep with Dave Krizak. No, make that definitely sleep with Dave Krizak. The next morning, she wishes her new top priorities were so simple.

As an operative for a covert agency buried in the depths of the Department of Homeland Security, Kat is asked to participate in a matter of life or death—locate a kidnapped girl believed to be held in Corpus Christi, Texas. Since the person doing the asking is the wife of the president and the girl is the daughter of her dearest friend, it’s hard to say no.

Kat and Dave quickly learn the real stakes are higher than they or the first lady believed and will require more than any of them bargained for.

The kicker? They have twenty-four hours to find the girl—or the matter of life or death will become more than a possibility.

===

Although Carol has deep Texas roots, she’s lived up and down the eastern seaboard and in other locations across the U.S. as a Coast Guard wife. She sees mystery and subterfuge everywhere. And she’s a sucker for a good love story—especially one with humor and mystery. Crime Fiction with a Kiss gives her the latitude to mix and match throughout the broad mystery and romance genres. Having flexibility makes her heart happy. 

You can connect with Carol here:

Under the Tiki Hut blog: http://www.underthetikihut.blogspot.com

Website with Monthly Contest: http://www.carolkilgore.net

Facebook: http://www.facebook.com/carol.kilgore1

Twitter: http://twitter.com/carol_kilgore

Goodreads: http://www.goodreads.com/author/show/6094110.Carol_Kilgore

Amazon: http://www.amazon.com/Carol-Kilgore/e/B008FRCXQY

Wicked Wednesday - paranormal mysteries

Mystery is always somehow woven into a paranormal romance. The protagonist needs to find something out whether it be who this strange man is, shed light on a murky family history, or find out who committed a horrific crime. Sometimes all of those things. Mysteries are trickier in this genre because they usually have a paranormal twist.

Here are a few tips to writing a believable and intriguing paranormal mystery:

1. Plot is key. The reader is playing detective as they're reading. Each plot point must be plausible within the world you've created. The action must be kept going forward too. Don't go off on tangents as it will only confuse and/or bore the reader.

2. Use red herrings. There should be at least one crucial clue in the story, but you don't want the reader to figure it out right away. Red herrings will lead them off in different directions and put their suspicions on other suspects. YET don't let them continue on for too long or become too frustrating.

3. Suspense. Strange footsteps and an unanswered question. Use time constraints and keep the stakes high.

4. The protagonist should be clever enough to keep the reader intrigued, or at least, have very smart friends. *coughsHermioneGrangercoughs* A mystery requires the protagonist to investigate and that requires a certain level of skill and intelligence. The protagonist can't stumble across every answer.

5. The reader must have access to all the clues available to the protagonist and, even though it shouldn't be readily apparent, the answer to the mystery should be there before the end.

Do you have any tips on how to write a good mystery?

Also, please join me tomorrow for my 200 followers giveaway!