Samhain treat: Bound by a Ban-sidhe

On Samhain, the veil between the realms of the living and the dead is at its thinnest.

No feast, treats, or costumes for Dusana. She’s stuck watching over the village’s flock alone again, like she’s done a thousand times before. Her quiet night is shattered when she must defend the herd from three huge wolves who turn out to be something much more frightening: three gorgeous shifters. The shifters are under the spell of a fearsome ban-sidhe, and Dusana is eager to help them. But what can a simple shepherdess do against a ban-sidhe on a night that her foul magic will be at its strongest?

ONLY 99c!

This treat of a read is now available from my pen name. It's fantasy with a few marvelous twists and a layer of romance.

I had such fun writing it as I played with the ancient legends of the ban-sidhe and Samhain. I'm also curious to see who can figure out the twists before they're sprung!

Word Witch Wednesday - balancing formula and originality

This is a battle I've been thinking a lot about lately. Readers want familiarity. Give them their favorite types of genre books with the same formula. Readers also want originality. Something they've never seen before. Giving readers both? It can be done, but it's tough.

Formula - Most publishers will have a sheet on what you're supposed to have in a book in a given genre. For example, paranormal romance (PNR) requires a dual point of view from the heroine and hero, minimum 80% (with some publishers it's 90%) of the plot must have the hero and heroine together, the male must be an alpha, the heroine must kick butt, the key to the climax must hinge on their romance, and it must have a happily ever after or a happily for now ending.

With the formula, I feel like I'm reading the same two or three books over and over again. It's not enjoyable. Every now and then, I'll come across something different within the formula and it will rekindle my love for the genre. But as a reader, the formula is ruining my enjoyment of PNR.

It just isn't in this one genre. I've heard the same complaint about other genres, especially young adult (YA) and romance. The thing is these three genres I've mentioned are the best selling genres in the market.

Originality - Many publishers will not take a chance on a book that isn't written to their formula. Thank goodness for self-publishing! It is in indie books that I see more original tales. Yet sometimes I feel as if these stories are lacking something or wondering what the heck was that!

Making it in the indie world is hard work. Yet there is a lot of fabulous original material out there. Why aren't they selling better? Because readers want the comfort of the formula... while complaining they want something new.

 

The trick is then to give them both. But how?

 

I don't have the secret to that. I can only share what I've been doing. With formula, you can easily Google story structure for any genre and find hundreds of links. If you're aiming for a particular publisher, be certain you know what they want.

Here are some tips for adding originality into the formula:

- stick to the standard main plot but write twisty subplots

- choose a little known mythology to base your story on

- twist the clichés of your genre (e.g. the heroine isn't an orphan but a well loved daughter in a big family)

- have something familiar combined with something new (e.g. a greedy dragon stealing treasure from castles is really a scaly Robin Hood)

- write one main character off trope be it the hero, the love interest, the sidekick, or villain

How do you feel about formula writing? Do you have any tips to add to help make a story original?