Word Witch Wednesday - balancing formula and originality

This is a battle I've been thinking a lot about lately. Readers want familiarity. Give them their favorite types of genre books with the same formula. Readers also want originality. Something they've never seen before. Giving readers both? It can be done, but it's tough.

Formula - Most publishers will have a sheet on what you're supposed to have in a book in a given genre. For example, paranormal romance (PNR) requires a dual point of view from the heroine and hero, minimum 80% (with some publishers it's 90%) of the plot must have the hero and heroine together, the male must be an alpha, the heroine must kick butt, the key to the climax must hinge on their romance, and it must have a happily ever after or a happily for now ending.

With the formula, I feel like I'm reading the same two or three books over and over again. It's not enjoyable. Every now and then, I'll come across something different within the formula and it will rekindle my love for the genre. But as a reader, the formula is ruining my enjoyment of PNR.

It just isn't in this one genre. I've heard the same complaint about other genres, especially young adult (YA) and romance. The thing is these three genres I've mentioned are the best selling genres in the market.

Originality - Many publishers will not take a chance on a book that isn't written to their formula. Thank goodness for self-publishing! It is in indie books that I see more original tales. Yet sometimes I feel as if these stories are lacking something or wondering what the heck was that!

Making it in the indie world is hard work. Yet there is a lot of fabulous original material out there. Why aren't they selling better? Because readers want the comfort of the formula... while complaining they want something new.

 

The trick is then to give them both. But how?

 

I don't have the secret to that. I can only share what I've been doing. With formula, you can easily Google story structure for any genre and find hundreds of links. If you're aiming for a particular publisher, be certain you know what they want.

Here are some tips for adding originality into the formula:

- stick to the standard main plot but write twisty subplots

- choose a little known mythology to base your story on

- twist the clichés of your genre (e.g. the heroine isn't an orphan but a well loved daughter in a big family)

- have something familiar combined with something new (e.g. a greedy dragon stealing treasure from castles is really a scaly Robin Hood)

- write one main character off trope be it the hero, the love interest, the sidekick, or villain

How do you feel about formula writing? Do you have any tips to add to help make a story original?

Wicked Wednesday - know your tropes

If you're querying agents and publishers, they will tell you that they need to know the tropes of your story right away. The tropes need to be in the blurb, and they need to be clear in the first chapter of the novel. Many articles will tell you that you need clearly stated tropes to get readers to read your stories.

For a little bit, I growled and glared at tropes. I would not be tied down by these rules! No one can tell me to use certain stereotypes or devices. I write what I want to write.

I rebelled until I realized I was already using tropes. Tons of them.

What is a trope? It's a literary motif or cliché. For example, boy falls in love with girl next door or good girl takes on bad boy and changes his ways as he falls for her.

Every story you read will have tropes. You just have to learn to recognize them, which really isn't that difficult at all. The tricky part is putting a new twist on popular tropes. That's what's going to sell your story.

What are your favorite tropes? And what are your favorite twists to them?

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Wicked Wednesday - breaking free of the usual formula

I've been reading a lot of Jeaniene Frost's books lately. She's one of the best selling paranormal romance authors. I love her books. (And Bones. Especially Bones!) Yet her books have a definite formula. In fact, a lot of books in this genre have the same formula. Here's the basic plot:

Girl meets boy. There is instant attraction even if neither act on it. One or both of them are supernatural creatures and/or have paranormal abilities. The villain enters. Bad stuff happens. Girl and boy can't resist each other. Something causes them to break apart and/or push one another away. More bad stuff. Big final battle. Evil is thwarted. The happily ever after ending.

With a market that is overflowing with paranormal romances of the usual formula, as a writer, you need to find a way to break out of it to get yourself noticed. Readers still love the classics like vampires and werewolves, but they want new twists.

As I've been writing my 13th Floor series, I've been experimenting on breaking free of the old formula. I still have the key ingredients, but I'm trying out some new twists.

The Marquis - I featured an older couple. Usually in romance, the lovers are young. Or, in the case with some supernatural beings, they look and act young even if they're centuries old. Did the readers like it? I've gotten some compliments about using an older couple, but it is the book that sells the least in the series.

The Alpha - It's common for paranormal romances to features an Alpha male. I twisted that trope and used an Alpha female. Her love interest is a geek. This still remains the most popular of my books. Readers do love strong women and superhero wannabe geeks.

The Dragonslayer - A modern day dragonslayer who is a complete gentleman instead of the typical bad boy. Xan's an Alpha male, but not in an overbearing way. His strength shows through in honor, chivalry, and his morals. And fighting dragons! It's still a bit early to tell, but Xan has many fans.

The Harbinger - Another story where the lead male character is a gentleman rather than a bad boy. The protagonist is a powerful woman. Feminine and a fighter. She's also a harpy. I'm curious to see how a creature usually not featured in this genre goes over with readers.

What are some of your favorite books that break from the usual formula?