Nutschell's Wednesday Writer's Workspace and Wicked Wednesday - Critiques (part 3)

I'm so excited to be over at The Writing Nut's blog today with Nutschell for Wednesday Writer's Workspace. Please stop on by and take a peek into my office.

This is the third part of my critique series on Wicked Wednesday in preparation for the MORE THAN JUST A KISS blogfest in September. Click on the links to read part 1 and part 2 of the series.

After giving a thorough critique of the first chapter, I settle in for two more read-throughs of the manuscript.

The first one is for the details. This is the part where I make technical notes as I go along. It keeps me from reading too quickly. I'm not a professional editor, but I check spelling, grammar, and missed punctuation. If I'm not certain about something, I'll still make a note.

These are the types of details I look for:

- ones that need explaining (an observation or memory that needs clarification)

- ones that are unnecessary (a description or an added word or two that adds nothing to the sentence or plot)

- ones that are wrong (something that is anachronistic or an accent that doesn't sound right)

- ones that are missing (a more obvious clue to the mystery; if you're too subtle, the reader might miss it)

- ones that are brilliant (always point out the good things in a critique too)

The second read-through is for pacing, connection of plot points, and characterization.

- Pacing: I look for hooks and hangers with the chapters. I also keep track of the story highs and lows, making sure there are no lulls. Typically with romance, the story plot highs and lows should alternate with the romance plot highs and lows until they both come together for the climax. (Yes, I just set myself up there, didn't I?)

- Plot points: usually they follow along with the pacing. Something happens here that leads to this, the characters react and create this new something. One thing must logically lead to the other in the context of that world with those characters.

- Characterization: characters must be consistent with who they are and grow as the plot progresses. So much goes into the creation of characters, and sometimes the writer can be a bit biased. We sometimes hear the characters so clearly in our heads, we forget that others don't. The characters must be as vivid on paper as they are in our minds.

How many read-throughs do you give a first draft? Do you have a specific list you follow when doing a critique?

Wicked Wednesday - the fast-paced novel

What is the key to making your readers not want to put down your book? Pacing. Sometimes it's hard to pinpoint what it is about a book that makes you dislike it. The characters might be intriguing and the plot might be fantastic, but most of the time, the culprit is pacing. It comes naturally to some writers, but for most of us, we have to work at it and keep revising until we get it right.

Many paranormal romances are fast-paced novels. They keep hitting you with one thing after another, keeping the reader on a supernatural thrill ride. A fast pace heightens suspense, mystery, and romantic tension. Your story must pose questions. Some are answered lightning fast and bring up new questions while others are answered more slowly to draw out the intrigue. You must always have the reader wondering and wanting more.

As I've mentioned before on Wicked Wednesday, emotion is key to a good paranormal romance. Not only do you need plot questions to propel it forward, you need character questions. You need characters your readers can relate to, but also ones that are different enough to make your readers think. Plot drives the external pace while characters push the internal pace. The trick is to combine the two in a leapfrogging pattern: plot question leads to character question, plot answer leads to character answer bringing up more questions.

Here are a few tips to pick up the pace of your novel:
- Use shorter sentences and paragraphs.
- Incorporate more action.
- Create more conflict.
- Give your characters various goals and motivations.
- Cut back on internal dialogue and backstory.
- Eliminate scenes that don't advance the plot.

Yet always remember a good novel needs fast and slow scenes. Ups and downs. Too much action can diminish a reader's emotional experience. You don't want to exhaust your reader by going too fast. Pacing may seem like a simple thing, but if you can master it, it's a powerful tool.

There's only one more day to enter to win Cherie Reich's giveaway. Just leave a comment on Thursday's guest post. Cherie talks about running a book blog tour and offers some great advice.