This is the final part of my critique series. I'm talking about critiques because we're giving some away to the lucky winners of the MORE THAN JUST A KISS blogfest on September 9 - 15. You can win some awesome ebooks too! You can check out the other posts in this critique series here: part 1, part 2, and part 3.
Once I've gone over the details, I look at the overall story. All the chapters could be fine on their own, but everything needs to fit together like a jigsaw puzzle. A story can have all the technical parts correct with everything in its right place and still fall flat.
Here are some of the things I take into account:
- does the story engage me and hold my interest?
- are all the loose ends tied up neatly at the end?
- am I satisfied with the ending, or does it need something more?
- is the voice consistent throughout the manuscript? If there is more than one POV, does each one have a unique voice?
- does the tension build realistically and reach its height at the climax?
- the plot should have its ups and downs, but are there any places it drags? Or perhaps goes too fast?
- does the conflict(s) add to the plot or are they there simply to entertain?
Remember that critiques are subjective. Everyone is going to feel differently about the various aspects of the story. I've had my critique partners tell me two different things about the same part of a story. In the end, it's up to you to decide what you want to change if you want to at all. The critiques make suggestions. They are not follow-by-the-letter orders. You are the author. You must do what feels right for your story.
How do you wrap up your critiques?
Once I've gone over the details, I look at the overall story. All the chapters could be fine on their own, but everything needs to fit together like a jigsaw puzzle. A story can have all the technical parts correct with everything in its right place and still fall flat.
Here are some of the things I take into account:
- does the story engage me and hold my interest?
- are all the loose ends tied up neatly at the end?
- am I satisfied with the ending, or does it need something more?
- is the voice consistent throughout the manuscript? If there is more than one POV, does each one have a unique voice?
- does the tension build realistically and reach its height at the climax?
- the plot should have its ups and downs, but are there any places it drags? Or perhaps goes too fast?
- does the conflict(s) add to the plot or are they there simply to entertain?
Remember that critiques are subjective. Everyone is going to feel differently about the various aspects of the story. I've had my critique partners tell me two different things about the same part of a story. In the end, it's up to you to decide what you want to change if you want to at all. The critiques make suggestions. They are not follow-by-the-letter orders. You are the author. You must do what feels right for your story.
How do you wrap up your critiques?
