The Making of a Cover - Harnessing the Winds

It's tough making your book stand out. There are millions of books out there, and one of the best ways to grab a reader's attention is to have to a fabulous cover. (One day my house will likely have an interior like that!)

I'm not a graphic designer nor do I have any aspirations to be one. Everything I've learned about making covers I've researched on my own and experimented in Photoshop. It's a long and tedious process, but I thoroughly enjoy playing around with images. And since you all seem to really like it I share my process of making a cover, I'm here with one I created for an author friend.

I will always recommend writers hire a cover artist to create their covers or buy a premade one. Yet these things aren't cheap. There are plenty of free images sites, and one I really like to use is Pixabay. Images on there are free to use for commercial ventures. Always be certain you have permission to use an image.

My friend, Morena Silver, is a fantasy romance author. Her debut novel is about pirates. Arrrr! A whole ship of women pirates at that. The book features the captain who can harness the power of storms.

Morena chose the model.

She's wearing a bikini... I'm assuming. And sitting on a rock like that can't be comfortable. Her poor bottom! Anyway, good choice for a model. The background is clear. Easy for me to cut the model out of that image (and off the craggy rock) and insert her into the new background.

Beautiful, isn't it? I love the drama and the color. Both these images are from Pixabay. While I do like the whole image, I cropped it to feature the ships. I didn't think it looked stormy enough, though. So I added in more billowing clouds and played on the oranges.

The actual cutting and pasting of the model onto the background was easy. Who wouldn't want to be there by the sea? The toughest part came when Morena said she wanted lightning. On the woman's arms. Okay, okay. It was time to learn a new skill, and you know what? It was surprisingly simple. I read a short tutorial about how to create lightning in Photoshop and BAM! Or should I say ZAP!

I'm so pleased with the way it turned out and so was Morena. The cover screams romance. It screams fantasy. It screams don't mess with this woman!

I mentioned tons and tons of layers in the post about making the cover for Of Gods and Sorrow. There aren't many layers to this one. The little bolts of lightning I connected to make that effect took the most layering. Simple and elegant.

What do you think? If you're an author, where do you get your covers?

Word Witch Wednesday - the mad science of book covers (part 5)

Slip on your labcoats and adjust your goggles. It's time for another session of the mad science of book covers!

Here's a quick review:
Part 1 - knowing the book cover elements of your genre.
Part 2 - the basic elements.
Part 3 - image shopping and backgrounds.
Part 4 - cover models.

I'm going to cover the rest of the base elements, and I'll do my best not to rattle on. Though I think I could do a whole series about choosing fonts for the covers. Fonts haunted me for weeks while I designed the Totem series.

For my urban fantasy series, the basic elements for the covers are: mood creating background, silhouetted villain, unsmiling protagonist, and something to tie all covers together for the series. Possibly the shifter's animal.

We've covered backgrounds and the unsmiling protagonist, and I'm leaving out the silhouetted villain. Instead of featuring the shifters' animals, I'm adding in a different totem animal on each cover which they'll be hunting in each book. These I'll blend into the background, and truly, if you don't have the Photoshop skills to do it, this is something that can be skipped. Something I have battled with myself and remain undecided about.

The next vital element is something to tie all the covers together for the series. I knew what I wanted to do ever since I came up with the concept. I wanted frost creeping up over the edges of the covers. Just a touch. It will be the same on every book. Easy, right?

Nope. I tried so many different types of frost. I wanted it to look icy, but it wasn't working. Why wasn't it working?

Instead, I stepped back and looked at it as if it were a puzzle. I ended up piecing together bits from a frosted pane of glass. This is what the original image looks like:

Pretty on its own. Plus, it's a good way to make sure my Totem bear logo is clearly seen on the bottom corner of each cover. The logo will contain the number of the book.

Now you've seen all my bare images. But just as important as the pictures are the fonts you choose. Check out my post about finicky fonts for tips on how to choose yours.

Fonts are difficult for me. I tend to lean toward plain types. That can be a good thing. You want your readers to be able to read your title and name after all.

Seeing the title for my first book and my name, you're probably wondering why did I stress so much over it? It looks simple. And that's good. It's my job to make it attractive and easy for people to read.

If you click on the image, you'll see the title is textured. Like cracked ice or birch bark. It's subtle, but it adds a lot of character to it. I used the craquelure effect in Photoshop.

Choosing colors for the fonts was difficult too. Each of my covers have different backgrounds. There's a wide array of colors going on which make it hard to see fonts of most shades. I hadn't intended to go with white, but it works with everything. The light gold of my name stands out enough but doesn't draw all your attention.

Whew. I didn't blow anything up. I call that a successful mad science session.

Next week, I'll show you the completed versions of the first three covers of the Totem series.

Feel free to ask any questions. Or share your cookies. Cookies would be much appreciated.

Wicked Wednesday - thinking about covers

(The action cover where the young hero fights a pirate!)

With my newest series, I'll have nine covers. I'd love to be able to afford a cover artist, but for nine covers? Yikes. So I'll be designing them myself.

And yes, I'm thinking about this way ahead of time. I've only finished the first rough draft of the of first novella. But I like to give myself a lot of time to think about important things. Covers are immensely important, after all. Most of us will say we don't judge books by their covers, but a gorgeous one will attract readers.

(The proud moment of accomplishment cover.)

The Totem series is paranormal romance (PNR) along the same lines as the 13th Floor series. Not all romance, but the relationships are pivotal to the plots.

I like to go simple when designing covers. I've learned some new Photoshops tricks since I made the 13th Floor covers. I believe I can step it up a notch this time. But which direction should I go?

Many PNR covers about shifters have the character(s) on the cover with their animals in the background. Or their eyes are animalistic in their beautiful human faces as they stare at the reader. Do I follow the standard formula? Or do I try to go my own way?

Here are my options. I'm curious as to what you as readers prefer.

1) These nine books are about three sisters. Each book will have one of the sisters narrating. They'll each get three books. I could focus on the women alone. Each cover would have the sister who's narrating, so readers will know who it is about.

2) Nine books. Three sisters. Three love interests. The first three books will have one of the sisters on each of them, and the next three books would have the men. The final three books would feature them as couples. I'm leaning in this direction because I believe PNR readers would like to see handsome men gracing the covers. (To this day, Xan still gets compliments!)

3) Nine books. Three sisters. Three love interests. Seven totems. If I don't want to use people on the covers, I could focus on the totem animals. Go with cool Inuit drawings. Yet the problem here is that only books 2-8 will have specific animals. Could I merge the totems with the models? Yes, possibly. I don't want to make my job overly difficult, though. But then what to do with books 1 and 9?

Right now, I need to stop looking at stock pictures and get writing!

(The what-the-heck cover that doesn't make sense when you read the story!)

Note: All the photos are of my son and Thee Bluebeard. He's a hilarious pirate captain looking for a new crew. He invites people on stage and makes them do weird things. It was the one thing my little guy wanted at the renaissance faire since he saw Bluebeard last year. He got his wish and it was awesome!